American movie (1999) Directed by Chris Smith that was, ironic to the films plot, premiered at an independent film festival where it achieved the Grand Jury Prize. This film is a Documentary based on an enthusiastic, aspiring filmmaker who wishes to fulfil the creation of his own incomplete horror movie by financing the project himself and smashing his dream. Starring Mark Borchardt as the avid Filmmaker, we see him scramble through attempts to rally up a usable team to complete his creation, the cheesy low budget horror movie "Coven". It was his own demons that originally stopped him from pursuing this dream, but no more - he is determined to over come any bottle that comes in his way to fulfil his dreams. Wanting to over come this lack of self asteem he is determined to not fail: by asking anyone from relatives to the local theatre, pulling together a cast which although he struggles to keep in line prevails in the end with a classic, heartwarming moral of realising his movie is more connected to his pride of being American and what it means to be one - it is his own "American dream".
As you can see the film itself is comprised of the typical first person style attack of a Documentary, giving the audience a "feel" of living out what the subjects go through themselves. This therefore becomes a more personalised stylation of film, where the audience feels an interaction with the cast and a more emotional understanding of the characters.
It puts the fight into how if you want something, then your supposed to get off your arse and do it. Like many people, myself involved especially, we all have dreams but all too often you will see that person who can't stop throwing off excuses and never gets to the point of their ambition. It is this very feeling that Mark storms through, which although we witness his fatigue from time to time he never lets himself down. In many ways this film therefore is inspiring to everyone who watches it, it gives you that positive feeling to make you want to get up and acheive your dreams.
In many ways the fact that this film is a film about making a film by a filmmaker basically shows a metanarrative to itself - everything that it does somehow references itself in the structure it is based around.